It took three “Thor” films for Chris Hemsworth’s thunder god to find his groove. Although Larson’s heroine is still a work in progress, Captain Marvel lays a solid foundation to follow her wherever she flies next.
The message here is everything might not be as awesome as it used to be, but that’s OK. It's a grounded, modern sentiment – and a self-reflective one – wrapped in a hyperactively bonkers, extremely enjoyable package.
Director Joe Cornish grounded the alien-invasion genre with clever plotting and entertaining English youngsters with 2011's “Attack the Block” and does the same with epic fantasy with this clever “Kid.”
While its narrative is unnecessarily complex and its story influences obvious, director Karyn Kusama (“The Invitation”) is mostly successful juggling a noir style, shifty denizens and shadowy dealings under L.A.’s bright sun.
Exquisitely crafted...It’s a strange little amalgamation that totally works: a vicious Shakespearean satire about power-hungry mind-sets, stealth corruption, American ambition and the current state of divided affairs in our country, but also a quasi-fictional go-for-broke biopic about a political leader we really don't know at all.
It’s a slightly insane, hilariously daring and often touching mashup of everything that makes super-flicks so darn popular with the introduction of a Spider-Man who's ready-made for today’s generation of kids.
As hilarious as it is, The Favourite doesn’t skimp on impressive costuming and production design, and the film gamely tackles class and gender themes, as well as partisan politics, in its tale of women behaving badly and men being nitwits.