While St. Vincent’s The Nowhere Inn is not the standard performative music documentary, it opens a window to her soul that many are never able to give away so freely in front of the camera.
Chon’s ambitions are astonishing, but his bloated script needed an edit or two. It’s a film written with big moments for big performances in mind, which is too painfully obvious as the film treads on.
Don’t Breathe 2 is a horrific and delusional sequel to its predecessor, a tight thriller that had grounded, down on their luck characters, and a film that knew when to pull out the big guns so the audience would root for its unlikeable lead.
Stephens’ film is a sweet gesture, a personal ode to a hometown hero of his, and while the filmmaking itself is rusty, there’s enough love from Stephens and Kier alike to keep this little film afloat.
The casting is the only part of the movie that feels genuine, with Hudson channeling the Dreamgirls emotive performance that earned her an early career Oscar.
Summertime’s boisterous enthusiasm sometimes finds an endearing spark, but it never erupts like the fireworks that scatter across the L.A. skyline at the film’s end. It’s a mess and it’s exhausting, with its heart always on the brink of exploding from its exhilarating optimistic nature.
Admirable efforts aside, I Carry You With Me is still an enchanting mix of drama and romance, but also a timely, poetic love letter to Iván’s home country, Mexico.
Maijidi’s latest was Iran’s submission for the most recent Oscars, a film that’s gentle, packed with all the familiar beats you find in these City of God-like child POV gritty fairy tales.
There is no denying that being parentless during the Great Depression called for a lot of resilience, but 12 Mighty Orphans’ underdog story unfortunately plays out to farce levels of entertainment.
It’s disappointing to stop rooting for a blockbuster behemoth horror series, but The Conjuring movies’ quality and talon-tight hold has rapidly deflated over time.
The Resort is an unfortunate mess of a first film that at one point in time would have maybe found a second life on a video store shelf next to the likes of Turistas and The Ruins, but is destined to be swallowed up by the endless abyss of VOD.